Free working document
The speaker one sheet checklist
Twenty items that turn a page about you into a page a program committee can act on in one sitting.
Most speaker one sheets are written for the speaker. They open with a biography, a list of stages and a photograph on a stage with a headset microphone. A program chair reading it still cannot answer the three questions her committee will ask her: what would this person actually do in our ninety minute slot, what will it cost, and is she free the week we need.
This checklist rebuilds the page around those questions. Work through it in order, because each stage depends on the one before it: you cannot write a topic until you have named the buyer, and you cannot set a band until you know what scope the topic includes. Give it an afternoon and you will have a page that does its own qualifying while you are on a plane.
Stage one: decide who the page is for
Stage two: write topics a committee can approve
Stage three: publish money, travel and dates
Stage four: send it and work the reply
How to use it
Use this once as a rebuild and then quarterly as an audit. The rebuild takes an afternoon and produces one page. The audit takes twenty minutes and mostly consists of releasing expired holds, retiring the topic nobody booked all year, and checking that the fee bands still reflect what you actually charged for your last three dates.
The stage that pays off fastest is stage three. Speakers resist publishing money and dates because it feels like giving up negotiating room, but the opposite happens in practice: the inquiries that arrive are better qualified, the fee conversation starts above your floor rather than below it, and the planners who cannot afford you stop consuming your evenings.
Send me the editable copy
Send yourself the editable copy with space to draft your own topics, bands and travel policy beside each item.
Questions about this document
Is this useful if I already have a one sheet I like?
Use it as an audit rather than a rebuild. Most existing one sheets pass stage one and fail stage three, because they carry a biography and a photo but no fee band, no travel policy and no open dates. Adding those three things usually changes the quality of inbound within a month.
Does publishing a fee band cost me negotiating room?
A band is not a price, it is a filter. It tells a buyer whether to start, and it anchors the conversation at a level you chose. The specific number for a specific room still gets set once you know the audience, the format and the travel involved.
I facilitate workshops more than I keynote. Does this still fit?
Yes, and stage two matters more for you. Workshop buyers need group size caps, room setup and materials spelled out before they can approve anything, because those constraints affect the venue booking. Publish them and you will stop losing sessions to logistics you could have settled early.
Work the checklist with us on a call
Stage three is where most one sheets stall, because publishing bands, a travel policy and open weeks feels like handing over negotiating room. Bring the checklist to a live screen share and we will build those three sections against your last six paid dates while you watch. You leave with a page a program committee can act on in one sitting, whether you keep it with us or rebuild it somewhere else.